Week 3 Theory

Signal Flow

MIDI

The Musical Instrument Digital Interface came to the market in 1983. It was initiated by Roland founder Ikutaro Kakehashi, Tom Oberheim, Dave Smith (president of Sequential Circuits) with their counterparts at Yamaha, Korg, and Kawai and developed at Sequential Circuits. In a rare example of industry cooperation, manufacturers got together in order to create a specification that all companies could comply with in order to make their products compatible.

Robert Willey, Dave Smith, and Michael Pounds at Gear Fest, 2015

Robert Willey, Dave Smith, and Michael Pounds at Gear Fest, 2015

MIDI is a specification for hardware and software and continues to be developed by the MIDI Association. The hardware part of the specification includes descriptions of the rate that the digital MIDI signal is clocked at, that there are in, out, and thru connections. Here is a schematic of the wiring of the MIDI output port on a device on the left side wired through a MIDI cable in the middle to a receiving MIDI port on the right side:

A MIDI cable has 5-pin DIN connectors on each end:

The software side describes how MIDI messages are formed. The are binary messages (a series of 0s and 1s) that a sending device transmits to a receiving device telling it things like which note has been pressed, how fast (hard) it was played), and on which channel. There are 16 different MIDI channels.

Check out this summary of MIDI messages. The messages are transmitted in 8-bit bytes, where each bit is a 0 or 1. When you see "nnnn" it means that bits in those position will change depending on the channel number. For example a MIDI byte composed of the bits 1001nnnn is a note on message (the 1001 part) on a particular channel. So 10010000 would be a note on message on channel 0. The channels are numbered 0-15. If you're curious, you can see how the variations of channel numbers worked out in the expanded messages list.

There are MIDI messages for controllers, too. We'll use the word "controllers" a few different ways in this lesson. In this context a controller is a message sent to the synthesizer, often initiated by the performer's hands or feet, like the modulation wheel, sustain pedal, pressure on the keyboard after the key has been pressed, or reverb level.

 

MIDI interfaces

A MIDI interface is needed when a device does not have a USB or other type of port that allows it to be connected to a computer. Some devices with USB ports have additional MIDI ins and outs that can be used to connect older equipment.

On Apple computers there is a program in the Applications > Utilities folder called Audio MIDI Setup that can be run to let you tell the computer's operating system what devices you have connected to the MIDI interface. In this example I have dragged connections between the input and output of the icon of a MIDI Sport MIDI 2x2 interface (which has 2 pairs of MIDI inputs and outputs) to the input and output of an icon representing a Disklavier, because that's the way I have connected the piano to the interface in the real world. Your DAW applications read the information that this program stores so that it knows what available inputs and outputs you have.

We have a number of MOTU MIDI interfaces in our studios at Ball State.

Read the buying guide.

 

Standard MIDI Files

A Standard MIDI File ends with ".mid" and provides a standardized way to sequences to be saved, transported, and opened in other systems. They are much smaller than audio files and can be played by computers and cell phones. Because most software companies support them, you can create a MIDI file in a notation program like Finale and import it into a DAW like Pro Tools.

A MIDI file is not a recording. It is a set of instructions, like the roll on a player piano.

 

General MIDI (GM)

There wasn't anything in MIDI 1.0 about what the timbre (tone) of a note should be, so in 1991 GM was added to provide, among other things, a standardized bank of sounds that allows a MIDI file created on one synthesizer to sound similar when played on another. GM specifies a bank os 128 sounds arranged in 16 families of related instrumentss.

Drum kits are assigned to channel 10, and a map is set up assigning different percussion sounds to each key on the keyboard:

 

Synthesizers

Acoustic and electric instruments have parts that vibrate. The vibrations are picked up and amplifeid by a resonator or speaker. Synthesizers are electdronic instruments. There are no vibrations, the signals are instead generated either by elecdtronic or digital circuitry.

Keyboards

"Keyboard" is a term that is used in a lot of ways. In the basic sense it has black and white keys like a piano. Most don't have the full 88 keys as a piano does.

Workstations and Arrangers

A "workstation" keyboard has some of the features of a DAW. It has an internal sound generator and lets you record MIDI sequences and in some case audio as well. It can be used without a computer, or in conjunction with one.

An "arranger" keyboard helps amateurs and solo performers use auto accompaniment to fill out what they are able to play with their fingers. Some cost thousands of dollars and are meant for professionals, others are simpler for beginners at home. You pick a style of music, and then the keyboard responds to single notes or chords played in the lower range and generates a full-band accompaniment.

Buying guide

Pianos and Organs

Some keyboard players want an instrument that is dedicated to just piano and organ sounds, since that may be what they mostly use during a performance. They may have weighted keys that respond more naturally or have sliders like the old style Hammond organs.

Leading manufacurers of organs are Hamond, Nord, Crumar, and Roland. Digital pianos now outsell acoustic pianos. Some of the manufacturers of acoustic and digital pianos are Yamaha, Casio, Kurzweil, and Kawai.

Synthesizers

A synthesizer generates sounds with analog or digital circuitry. When some people say "synthesizer" they may be talking about a keyboard with an internal sound generating unit. Here are the insides of a Yamaha DX7 synthesizer, a breakthrough MIDI instrument from the 1980s.

Controllers

MIDI

The term "MIDI controller" generally means a device that can generate MIDI messages that doesn't have any internal sound-generating capabilities. Most have keyboards.

There are also MIDI wind and guitar controllers.

Here's a video of Joel Davel playing a solo on the Buchla "Lightning", an infared spatial controller:

Buying guide

Groove Generators

A new category of interfaces is developing that offer a musician opportunities to interact with programs like Ableton Live and other hosts.

Maschine from Native Instruments offers sequencing controls and sampling as a tool for music production and live performance.

Explanation of some of the controls

Jeremey Ellis performing on MASCHINE

Ableton and other companies have developed a variety of pads that trigger drums sounds, launch clips, and initiate other Live software commands.

Novation Launchpad controlling Ableton Live

Sound Modules

A sound module is a synthesizer without a keyboard. It synthesizes sound when it gets MIDI messages.

Buying guide

Here is a comparison of the same MIDI file played on five different sound modules. A soundcard is a sound module inside a computer.

Virtual Instruments

MIDI filled a need in the 1980s when personal computers were first introduced. At that time the computers were not capable or running a user interface, displaying information on the screen, and doing the math necessary to generate sounds in realtime. The computers generated the MIDI signals and the external MIDI instruments synthesized the sound.

Today computers are much more powerful and can do everything they need to run software and respond to the user while synthesizing and processing sounds in real time. For that reason MIDI is less visible, and often times a USB cable is used instead of a MIDI cable and MIDI interface to connect a controller to the computer. Still, there is a legacy from MIDI because of all the MIDI sequences out there, so you can still make use of controllers, drum maps, and other features of MIDI that musicians have found to be useful.

A virtual instrument is like a sound module but that runs in software inside the computer rather than exgernal hardware. There are two architectures for them: VST was created by Steinberg and runs on Ableton, FL Studio, Logic, Max, Studio One, Reaper among others.

AU was created by Apple and works with Ableton, Logic, Cubase, Garage Band, Studio One among others. Avid has its own RTAS and TDM plugins and Pro Tools works with a variety of manufacturers. Popular collections are made by Native Instruments, Izotope, and Spectrasonics.

One of the nice things about virtual instrument technology is that a small company can design a plugin without having to build an entire DAW.

Buying guide

Keyboard Amps

A keyboard is going to sound better played through an amp designed for it rather than for a guitar. Keyboard amps are designed more like a small PA system, and the inputs are usually at at higher line level, and they reproduce the full spectrum more accurately than guitar amps that are designed to be part of the guitar's tone and color the signal.

Buying guide

 

 


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