week |
harmony |
form |
assignments and tests Consult the assignment sheet for complete details on assignments All quizzes and midterm are on Fridays unless otherwise indicated |
1 Jan 14- |
Review of triads and seventh chords. Transposition and ranges of trumpet and saxophones Analyze chord functions of "'A' Train". Notice the secondary dominants. |
Analyze form of
"'A' Train" How to notate lyrics |
Assignment 1: Lead sheets for "Take the 'A' Train": vocal, trumpet, alto sax |
2 Jan 21- |
Analyzing melodies in terms of non-harmonic tones | How to write introductions | Quiz 1: range and transpositions for trumpet and saxophones; analysis of non-chord
tones in melodies Assignment 2: compose your own version of "Take the 'A' Train" |
3 Jan 28- |
Modulating with
ii-V-I
progression |
. | Assignment 3: new melody for "Giant Steps", chord inversions within one octave range. Enter your version of "'A' Train" into Sibelius. |
4 Feb 4- |
Chord inversions Slash chord symbol notation Analyze "Prelude in C" and "Your Song" |
How to write endings | Assignment 4: Compose your own tune for Prelude in C Major |
5 Feb 11- |
Writing for flute and clarinet
Analyze "This Masquerade" |
Schematic diagrams | Assignment 5: Find and analyze a lead sheet for future work. Quiz 2: flute and clarinet, 9th chords, slash chord symbols, inversions of seventh chords |
6 Feb 25- |
More modulation Constructing bass lines Analyze "Just The Way You Are" |
Creating roadmaps for arrangements: the first step in filling out lead sheets | Assignment 6: Create roadmap
for your piece including an introduction, modulation, and ending. MIDTERM: Analyze songs in terms of chord symbols, functions, and form. Triads, seventh, and ninth chords in inversions. Slash chords. Aural identification of maj9, 9, and m9 chords. Writing for trumpet, saxophone(s), flute, and clarinet. Modulation. Analyze melody in terms of non-harmonic tones. Write a tune to fit a chord progression. How to notate lyrics. |
7 Mar 4- |
Writing for the rhythm section. Look at "Here, There, and Everywhere" |
Harmonic language of the Beatles | Assignment 7: Create a rhythm section arrangement with Band in a Box |
8 Mar 11- |
Harmonizing melodies in two voices
Reharmonization and substitute dominants Look at "Bluesette", "Flintstones", "This Masquerade" (again) |
The conductor's score: Basie Straight Ahead | Assignment 8: Harmonize your melody in one of the sections for two trumpets |
9 Mar 18- |
Writing for trombones Harmonizing melodies in three voices |
Analyze pop songs Songs in minor keys |
Assignment 9: Add three trombones behind the section you wrote last week for two trumpets |
10 April 2- |
Harmonizing melodies in four voices
|
Analyze pop songs | Assignment 10: Add a
section to your piece for five saxophones Quiz 3 on 3-part harmony, trombones, modulation, and substitute dominant chords (construct, identify, hear). Complexity of voicing of "Basie Straight Ahead". |
11 Apr 8- |
Chords and scales | Assignment 11: Add fills to your piece | |
12 Apr 15- |
Analyze pop songs | Making scores more expressive Orchestration with notation software: changing instruments, doubling and octave shifting notes |
Assignment 12: Add rehearsal numbers to your piece. |
13 Apr 22- |
The Bossa Nova: analyze music from Tom Jobim (the greatest popular music composer of all time) | Schematic diagrams with texture notes | Assignment 13: Analyze "Corcovado" by Tom Jobim. Add expression marks
to your score Quiz 4 on 4-part harmony, drop 2 voicing, chords, and scales. Ear training chord progressions: IV - V - I ; ii - V - I ; V/V - V - I ; ii - subV - I |
14 Apr 29- |
"Exploded" Circle of Fifths
Analyze Sting and Paul Simon |
How to indicate solos and repeats | Assignment 14: Add catalog information and save your score as a web page. |
15 May 6- |
Review Progressions by interval |
. | Assignment 15:
install your piece on the Internet Quiz 5 on song analysis |
. | . | FINAL EXAM 10:00 section: Friday, May 10 3:00 section: Wednesday, May 15 |
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